In yesterday's post I dwelt on the truly astonishing work that Gustav Tenggren created for two Disney masterpieces; "Snow White and the Seven Dwarfs" and "Pinocchio". For "Pinocchio" which had an astonishing variety of scene changes and locales, Tenggren created dozens and dozens of paintings and drawings all invested with a Northern European sensibility that would have been hard to accomplish had the task been allocated to the locally sourced talents that were working at the studio.
That being said, it was the task of many of these younger men and women to interpret the work of the concept artists and in the case of the layout and background artists ensure that the intent of an artist such as Tenggren was adhered to whilst ensuring that the backgrounds accommodated camera moves and the characters themselves.
It was Coates work on "Pinocchio that really did mark him out as a Disney superstar of background painting.
And here's why ...
Claude Coats' son Alan has a website devoted to the work of his father - well worth a visit.
Number 2595: The great lover, Jon Juan
13 hours ago