The perils of blogging, you start out with the best of intentions - a blog posting everyday. After a while you come to the awful realization that you simply cannot post interesting and engaging topics everyday without treating your blog as an unpaid career and forsaking other activities to ensure that you continue to maintain the (hopefully) high standard you have set yourself.
So then comes the facilitators of daily blogging. In the case of blogs such as this one, where the subject matter is trash culture, you can run serialized comic strips, but the problem is that apart from issues of copyright and the nightmare of possible litigation from unexpected sources ( The Curious Case of Walter Potter and the Stuffed Animals that Bite), there is also the fact that there are already a lot of bloggers providing access to material that would otherwise have faded from the collective consciousness many years ago.
Hence the intermittent postings that have become the norm for this blog.
For which I offer my unreserved apology, especially to Malcolm whose days toiling on the fiery plains of Sewth Efrika are made a mite more tolerable by his attachment to the cybernetic umbilicus of the UK and the many blogs such as this one, that remind him of the warm beer and mist shrouded cobblestones of dear Old Albion. Ah yes Albion (cue Grimethorpe Colliery Brass Band playing Eric Coates In Town Tonight) enlivened by it's stoic populace who no matter how hard times may be are always ready to share a cuppa char and a tin of bully beef. I can almost see a tear gently coursing down Malcolm's chiselled features as he peers at his computer screen.
Of course there is another reason for the sporadic nature of my postings and that is the new and soon to be launched Illustrators, issue 1 of which will include an interview with Ian Kennedy along with a really superb feature on the life and work of Denis McLoughlin by his friend and biographer David Ashford. Both of these articles I know will be of some consolation to Malcolm as he toils purposefully in the scorched veldt.
We have in truth some really amazing features coming at you over the next few years, with contributions from artists, designers, agents and biographers, who will add so much more enjoyment to the superbly reproduced (and much of it hitherto unseen for decades) artwork that we will be running in each and every issue of Illustrators.
So in the meantime here's some more samples of work in progress just to get your illustration hungry juices flowing.
Number 2595: The great lover, Jon Juan
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