The ongoing epic story of Rowlf heads towards the final denouement. I've had to do a little bit of minimal restoration as even in the original print some of the zipatone he was using tends to get mixed up with the off white paper colour. Here you can see all Corben's original line work and his use off zipatone to give the impression of back lighting - all adding to the overall cinematic feel of this very early masterpiece from Corben's inventory.
Someday, somebody should produce a definitive retrospective on Corben's work - long overdue if you ask me.
Number 2596: The life (and death) of Riley
21 hours ago