OK so I've scribbled out the page very roughly with a stubby red pencil, scanned it into the computer and the next stage is to open up illustrator and start bunging in the lines and (crucially) deciding where David Orme's peerless prose and distinctively dynamic dialogue is a gonna go. This avoids the scenario of covering up crucial areas of the artwork with speech balloons and captions, which tends to happen if you don't get this sorted out upfront.
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