Back in the days when the young Ian Kennedy was breaking free from just confining himself to working for DC Thomson. The editors at Thomson would have kept Kennedy busy but as an ambitious and driven young artist, Ian wanted to explore all the opportunities that were available to talented young artists, with confident figure work and the ability to handle a variety of subject matters as his early work clearly displays.
So here is his take on the good old days of motor racing:
1950 Snow White Theatre Program from Japan
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